Momma Don't 'Low is a newsletter to support home-made and roots-based music in general, as well as the readers of CreekDontRise.com, SchoolOfTheRock.com, and ClassicTrainSongs.com.

Written by Paul Race for Creek Don't RiseTM, SchoolOfTheRockTM, and Classic Train SongsTM

Momma Don't 'LowTM is a newsletter to support home-made and roots-based music in general, as well as the readers of our music articles on various web pages, including SchoolOfTheRockTM, Creek Don't RiseTM, and Classic Train SongsTM.
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In this Issue - September, 2014

This is the third issue of our "Momma Don't 'Low" newsletter. Although our mailing list is small, the online version of the first one got plenty of hits, so hopefully word is getting around.

This issue's articles are:

  • Plan Ahead for Charitable Busking
  • Sentimental Journeys - Horns and Fretted Instruments I've Loved
  • Take Advantage of Free Performance and Career Tips

    Click to go to an article about my experiences busking for charity last Christms season.Plan Ahead for Charitable Busking

    Ever see a musician playing alongside a Salvation Army kettle and appreciated the music (as opposed to a clanging bell)? Most people do. In fact, there is a substantial increase in giving whenever a kettle has a musician instead of just a bellringer - so this is a great way to give back to your community and get some unusual performance experience at the same time.

    Yes, it's only September as I write this, but it's time to think about getting signed up - getting the paperwork through takes longer than you'd think, since you have to go through the same background checks as any Salvation Army employee. And it wouldn't hurt to start practicing specifically for this opportunity either.

    Here's an article about my first attempt to help the local Salvation Army this way.

    Sentimental Journeys - Horns and Fretted Instruments I've Loved

    Music store people hate me because when I stop in for strings or reeds or straps or capos or picks, I check out the saxophones, then the guitars, then the banjos and maybe the keyboards and basses and mandolins, and even the dulcimers, if they have them. I'm sure the sales drones who don't know me are thinking: "Cheesh, he doesn't even know what instrument he wants to play." What they don't know is that I already own and play too many saxophones, guitars, banjos, keyboards, bases, mandolins, and dulcimers, not to mention the instruments I "own" that are out on "permanent loan" to family members or friends.

    Click to go to the articles that discribe my experiences with many vintage horns over the years.A couple years ago, in response to questions about C melodies on my SchoolOfTheRock.com site, I started researching vintage saxophones. I learned a lot, including the fact that several of the horns I owned when I was kid would be considered legitimate collector's items today, and were close relations to desirable vintage pieces. Eventually I wrote a memoir about each horn and my experiences with it, hoping that other folks with similar horns and experiences would get in touch. Many of them have.

    Later, when I noticed a decent singer-songwriter being snubbed in a venue because he played a "student guitar," I though it might be worthwhile to do the same exercise for the fretted instruments I've owned and played. Unlike the saxophones, many of the fretted instruments I learned and played on would not even be considered musical instruments today. That said, it's worth remembering that jazz, blues, and rock and roll were all invented on things that would not really be considered musical instruments today. Click to go to an article that describes my experiences with this and many slightly less embarrassing instruments over the years. How many hipsters do you know who would confess that their first guitar was made of furniture wood and had a fake pickguard silkscreened on the plywood soundboard? But some 47 years and umpteen real guitars later, it's just a reminder that someone who really wants to play will learn to play on virtually anything, as long as the instrument can be made playable.

    Again, folk with similar experiences have responded very positively. Some have shared their own experiences of how one instrument or another helped shaped, not only their playing, but even their lives.

    If you'd like to see our School Of The Rock articles on "Horns in my Life," please click the following link:

    If you'd like to see our Creek Don't Rise article on "Axes (fretted instruments) in my Life, please click the following link:

    Take Advantage of Free Performance and Career Tips

    When I see an internet resource that I believe will help you with your career without costing an unreasonable amount of money, I'll post them here and on the forums page.

    Here's one whose updates I signed up for. He has products and services you can buy, as well as a professional subscription (called Backstage Pass) that costs money, but every so often, he and his people give some valueable advice away for free to anyone on his mailing list.

    Nearly 30 years ago, I met a fellow named Tom Jackson who, after a brief music career (mostly in Jesus music) had begun coaching other artists on how to put together memorable performances. For the next ten years or so, Tom worked mostly with Contemporary Christian groups, but he has expanded into several other genres. He's not allowed to tell you which bands he has coached, because the bands' managers always want to make it seem that the band has achieved all of that momentum, excitement, and emotion by themselves. But once you're familiar with his methods, you can spot his clients in a hurry. They show not only confidence and rapport with the audience, but above all the ability to turn each song in the concert into a memorable "moment." Which leads to more loyal fans, better word of mouth, better gigs in the long run and serious boosts to CD and merch sales at their concerts.

    Tom and his collaborators often post free tips on his web site. Again, some of the examples may seem skewed toward Christian music, but the logistic, performance, and financial challenges most CCM groups face are exactly the same for almost every other independents I know. In other words, 99% of Tom's recommendations apply to us all.

    To see a list of example free articles, check out our forum page on the topic:

    More to Come

    If you've spent any time on any of our music sites, you know that we have a lot of topics to share about. The only reason this newsletter isn't twice as long as it is, is that I don't want to scare you . So stay tuned.

    Again, if you did not get this Momma Don't 'LowTM newsletter through your own e-mail, and you would like to get the newsletters in the future, please Click Here to sign up.

    In the meantime, if you want to see last month's newsletter, please click the following link:

    Keep playing, keep singing, and keep sharing!

    Paul D. Race
    http://CreekDontRise.com
    http://SchoolOfTheRock.com
    http://classictrainsongs.com


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    Visit our other music pages:
    Heartland-inspired music, history, and acoustic instrument tips.
    Best-loved railroad songs and the stories behind them.
    Visit musings about music on our sister site, School of the Rock With a few tools and an hour or two of work, you can make your guitar, banjo, or mandolin much more responsive.  Instruments with movable bridges can have better-than-new intonation as well. New, used, or vintage - tips for whatever your needs and preferences. Check out our article on finding good used guitars.
    Carols of many countries, including music, lyrics, and the story behind the songs. X and Y-generation Christians take Contemporary Christian music, including worship, for granted, but the first generation of Contemporary Christian musicians faced strong, and often bitter resistance. Wax recordings from the early 1900s, mostly collected by George Nelson.  Download them all for a 'period' album. Folks with Bb or Eb instruments can contribute to worship services, but the WAY they do depends on the way the worship leader approaches the music. Different kinds of music call for different kinds of banjos.  Just trying to steer you in the right direction. A page devoted to some of Paul's own music endeavors.